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šŸ“ On isolation, discipline, and love of the game.

For The Obsessed

To the obsessed,

Here are your Ten Bullets.

Ten ideas to help you build companies, make art, and fuel your obsession.

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Newsletter Update:

  • The weekly newsletter is back- with a slight change after this edition.

  • Starting next Saturday- it will be hosted on Substack (nothing needed on your end to receive it- subscribers transfer)- with a change in format from the ā€˜listā€™ of Ten Bullets.

  • Newsletters will now feature longer-form writing, on specific ideas/topics.

  • Obsessioncore links/quotes/recommendations will still be included, with a section at the bottom of each edition.

Thanks for reading. Stay obsessed.

1. On isolation, imagination, and Kobe Bryantā€™s obsession:

On his obsession:

The people around Joe Bryant, including his own wife, had always thought he was too locked in on basketball, that he talked of it incessantly. The son's focus eclipsed the father's, easily.

"When we talked about basketball, we had a good relationship," Rines said of any personal connection he developed with Kobe. "But how much can you talk about basketball? His whole life was driven by the ball. So if it's driven by the ball, me being a young coach, I can only talk to you for so long, and I'm going to have to move on because there's only so much interest we can have."

A reporter would ask about Bryant's life outside basketball in his early years with the Lakers, and he would reply,

"Basketball, there is nothing else."

To others not driven to find perfection in a pursuit, such an answer would seem ludicrous, and such an approach would seem a wasteland for trying to live a life. Some close observers would look at Bryant's youthful pursuit and think that in many ways he had no life.

ā€” Roland Lazenby

On his imagination and isolation:

"He played alone, in imaginary games against himself. 'Shadow basketball,' he called it. 'I play against my shadow.' That, of course, involved intense visualization of the NBA stars he had stored in his imagination from the video screen."

"By the time he was an NBA player, he would invest long hours each day in breaking down his own performances and those of opponents, far more than what any other NBA player would ever contemplate undertaking."

ā€” Roland Lazenby

ā€” Roland Lazenby, Showboat: The Life of Kobe Bryant (h/t Founders Podcast #272 for the recommendation)

On ā€˜getting into characterā€™ for his 61pt game at MSG:

"I had to find that space. I didn't go out to dinner in New York. I stayed in my room. Because I stayed up watching Batman, and watching Heath Ledger. And then I went and started researching about Heath Ledger, and how he got into character and how he just became all-consuming. That inspired me to go into my Garden mode. When I go in there I don't want to say hi to the janitorā€”I don't want say hi to these peopleā€”I don't wanna talk to nobody. Everybody leave me alone."

ā€” Kobe

2. On Djokovicā€™s discipline:

ā€œHow much discipline? In January 2012, I beat Nadal in the finals of the Australian Open. The match lasted five hours and fifty-three minutesā€”the longest match in Australian Open history, and the longest Grand Slam singles final in the Open Era. Many commentators have called that match the single greatest tennis match of all time. After I won, I sat in the locker room in Melbourne. I wanted one thing: to taste chocolate. I hadnā€™t tasted it since the summer of 2010. Miljan brought me a candy bar. I broke off one squareā€”one tiny squareā€”and popped it into my mouth, let it melt on my tongue. That was all I would allow myself. That is what it has taken to get to number one.ā€

ā€” Novak Djokovic, Serve To Win

Congrats to Djokovic on Olympic gold, and truly reaching The Pinnacle.

3. On overnight success:

4. On the books we need:

"The books we need are the kind that act upon us like a misfortune, that make us suffer like the death of someone we love more than ourselves, that make us feel as though we were on the verge of suicide, or lost in a forest remote from all human habitation-a book should serve as an axe for the frozen sea within us."

ā€” Franz Kafka (a letter to Oskar Pollak)

5. On books:

ā€œBeing a manga artist is an extremely difficult job. Your work schedule and your desire to give the fans what they deserve can make your life harder and isolate you from the world. And if you are a mangaka of the most sold manga, then your life becomes difficult to a whole another level.

Oda was only 22 when One Piece premiered, so the 48-year-old artist has already been painting the epic adventure tale for nearly half his life. Even after 18 years, readers rarely complain that One Piece has become old or is getting degraded.

Editors who have worked with him describe him as a ā€œmachine,ā€ who never stopped at his peak. Critics characterize him as one of the hardest-working artists in the industry, and his devotion to his profession has gotten him hospitalized in the past.

Oda maintains an extremely busy schedule and does a lot of the drawing for One Piece himself. Oda gets up at 5 a.m. Worked all day and went to bed at 2:00 a.m. This was his sleep regimen before 2013 when he was hospitalized due to health issues. During the week, he only got three hours of sleep. He takes one whole day to sleep off the rest of his week after submitting the manuscript by the end of the week. Oda deprives himself of sleep, and heā€™s been doing so since the early 2000s when his anime series One Piece became successful.

His health dips from time to time, yet this does not affect his ability to write outstanding chapters. For a long time, One Piece has reigned supreme in terms of popularity and sales.ā€

6. On ā€˜the most obsessed person I knowā€™:

ā€œA great deal of the appeal for these books is the obvious high quality of the materials, due almost entirely to T&F founder Jason Killingsworthā€™s obsession with making books using the fanciest stuff he can get his hands on.

He refuses to use normal paper, and instead flies to Sweden to get a particular blend of paper stock he likes. He then insists upon working with a particular Italian book-binder who uses the exact grain of leather he wants. If you ask, Killingsworth will explain to you exactly why the spot-UV varnish on his booksā€™ slipcase interior is absolutely necessary.

The result is a collection of books that cost upwards of $200, and which his collectors are more than happy to pay for.

The idea driving the business, Killingsworth says, was ā€œWhat if Tune & Fairweather charged a price where fans could serve as the financier of those expensive high-end print finishes? I believed they would do so in order to have a collectible that echoed their own love of the game. A tangible object to encapsulate the gameā€™s spirit. A kind of Aladdin genie lampā€”a treasure that seemed so divine that if you ran your hands over it, the spirit of the gameā€™s very creator might snake out from between the pages to greet you.

As a kid, Killingsworth says, ā€œI was broody, obsessive and incapable of doing anything halfway.ā€

As a 12 year old, Killingsworth got hooked on guitar and effectively locked himself in his room until he could play every song from Metallicaā€™s Black Album. When tasked with summarizing the plot of The Count of Monte Cristo as part of a summer reading assignment, he got lost in the book and wound up turning in a 40-page handwritten treatise that covered every notable event in the book.

Looking back, Killingsworth says he probably pushed away potential girlfriends with his natural penchant for ā€œintensity that bordered on desperation.ā€

ā€” ā€˜The Most Obsessive Person I Know,ā€™ an interview with Jason Killingsworth by Ryan Rigney (Substack)

7. On creativity:

ā€œAll creative activity is, to some extent, done partly with the intention to rectify or fix yourself. In other words, by relativizing yourself, by adapting your soul to a form that's different from what it is now, you can resolveā€” or sublimateā€” the contradictions, rifts, and distortions that inevitably crop up in the process of being alive. And if things go well, this effect can be shared with readers.ā€

ā€” Haruki Murakami, Novelist as a Vocation

Whether or not you want to write books, there are some incredible chapters in here on creativity, and what makes iconic work.ā€‹

8. On effort vs. obsession:

9. On love of the game:

ā€œTo me, I could do the sport without the competitions. I love it that much. I just love it when I can spend most of my day at the pool.ā€

10. On loneliness:

If you enjoyed this, forward it to an obsessed friend.

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